"Despite her critical and interpersonal entanglements in the structural film initiative, Wieland characteristically fashioned an idiosyncratic position that could simultaneously borrow from, critique, and transcend stylistic prerogatives identified with each camp."
-- Paul Arthur
Arthur, Paul. "Different/Same/Both/Neither: The Polycentric Cinema of Joyce Wieland." In Women's Experimental Cinema: Critical Frameworks, edited by Robin Blaetz. Durham: Duke University Press, 2007. (p. 59)