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Citation :
« Despite her critical and interpersonal entanglements in the structural film initiative, [Joyce] Wieland characteristically fashioned an idiosyncratic position that could simultaneously borrow from, critique, and transcend stylistic prerogatives identified with each camp. »
-- Paul Arthur
Source :
ARTHUR, Paul. « Different/Same/Both/Neither: The Polycentric Cinema of Joyce Wieland »
,
dans Women's Experimental Cinema: Critical Frameworks, sous la direction de Robin Blaetz, Durham, Duke University Press, 2007.
[en anglais] (p. 59)