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Beans

Directed by Tracey Deer
Canada, 2020 (fiction, 92 minutes, colour, English / French)
Beans
Image: © Mongrel Media

Film Description:
"Inspired by her own childhood, writer-director Tracey Deer's debut feature tells the story of a young Mohawk girl in Kanehsatà:ke amidst the 1990 Oka Crisis. A refreshing look at the lives of Indigenous youth and families that's told with heartbreaking honesty, the film brings awareness to the oppression and discrimination Indigenous people continue to face 30 years later. While the ongoing standoff forces her to grow up faster than she deserves, 12-year-old Beans (Kiawentiio, in a phenomenal performance) is bright and brave as she cares for her younger sister and discovers herself and her place in the community. Timely and touching, Beans is a powerful reminder of the resilience, beauty, and love Indigenous communities hold."
-- Saharla Ugas (source)

Film Credits (partial):
Written by: Tracey Deer, Meredith Vuchnich
Produced by: Anne-Marie Gélinas, Ken Proulx, Meredith Vuchnich, Justine Whyte
Principal Cast: Kiawentiio, Violah Beauvais, Rainbow Dickerson, Joel Montgrand, Paulina Alexis, D'Pharaoh Woon-A-Tai, Jay Cardinal Villeneuve, Taio Gélinas, Caroline Gelinas, Dawn Ford, Kelly Beaudoin, Brittany LeBorgne, Ida Labillois-Montour, Adam LeBlanc, Emilie Paquet, Angie Reid, Sebastien Beaulac, Michel Eid, Frank Marrs, Sara Sue Vallee
Cinematography: Marie Davignon
Film Editing: Sophie Farkas Bolla
Music: Mario Sévigny, Jayli Wolf
Production Company: EMA Films
(sources)

Awards won by Beans

Notes about Beans

(sources)

Quotes by the Director

"I wanted to tell the story of the Oka crisis from the perspective of how I lived it as a child. It was so shattering and it really shaped who I was, both good and bad. And it's such a big story that it's taken 20 years in the business to find my confidence to tell it."
-- Tracey Deer (source)

"One of the most powerful scenes in the film [Beans] depicts white men throwing rocks at the car in which Beans, her little sister and mom are sitting in a traffic jam, and the police don't do anything to stop the attack. So that is something that is directly out of my own experience. The way I shot it, I wanted us to stay inside the car and really have the audience experience it the way we did. It was very hard to revisit that time, to put it into words in the script. And I really did dread having to re-create it. [...] In that moment, as a child, I really felt like I didn't matter. Nobody was arrested that day. The cops did not stop anyone that day and to my 12-year-old brain [the message was] that I didn't matter. And by being able to tell the story, and share it, I'm telling that little girl that I do matter, our stories matter, what we experience matters."
-- Tracey Deer (source)

Quote by the Director [in French]

"Dans le processus de création de Beans, j'ai su très tôt que j'utiliserais des extraits d'archives, parce que souvent la réalité dépasse la fiction. Je ne voulais pas que le public discrédite les moments plus laids en pensant que j'exagérais. Ces extraits d'archives ancrent et soutiennent la véracité de cette laideur."
-- Tracey Deer (source)

Quotes about Beans

"[Beans] is the first fictional film directed by the documentarian Tracey Deer, and she brings a good eye for which characters might make a compelling story. Deer emphasizes the styles of the period—the high ponytails and neon windbreakers opposite police uniforms. But her heroes aren't fighters; they are the children and mothers who must navigate empty grocery shelves and taunting mobs. In choosing her protagonists as she has, Deer has made a canny portrait of Mohawk domestic life during a modern conflict. The difference between this and other homefront movies is that usually war is depicted as happening far away. Here, Beans has to make sense of a fight where her home is the battlefield, too."
-- Teo Bugbee (source)

"The combination of actual news footage and fictional events is not always seamless in Beans, the first narrative feature to focus on the Oka Crisis, and the story's logistics, geography and timeline could be clearer. Even so, Mohawk director Tracey Deer, who lived through the violent 78-day conflict as a 12-year-old, has made a film that's eye-opening. Beyond her firsthand understanding of indigenous people's struggles, she's keenly attuned to girlhood growing pains—well captured in the expressive and engaging performance by Kiawentiio, leading a strong cast. The drama ends on a note of hard-won hope, its depictions of racist aggression, both real and re-enacted, shining a harsh light on the ugliness of mob-mentality bullying."
-- Sheri Linden (source)

"Beans is exactly what happens when you empower storytellers from a community who've had stories told about them forever, but rarely have had the opportunity to tell them themselves."
-- Jesse Wente (source)

Quotes about Beans [in French]

"Certaines scènes de violence, filmées de façon très réaliste, donnent froid dans le dos. On pense notamment à cette séquence révoltante dans laquelle des femmes et des enfants mohawks se font lancer des pierres par des citoyens non autochtones alors qu'ils tentent de quitter la réserve en voiture. L'utilisation d'images d'archives provenant de véritables reportages réalisés à l'époque apporte une bonne dose de réalisme à l'ensemble. On pourrait, en revanche, reprocher à Tracey Deer d'avoir manqué un peu de nuance dans sa façon de présenter certains faits marquants du conflit armé. Premier long métrage de fiction à aborder de façon directe la crise d'Oka, Beans n'en demeure pas moins un film important et nécessaire."
-- Maxime Demers (source)

"Touchant récit initiatique sur fond de crise politique, Beans comporte des scènes qui font mal. Des scènes qui font honte. Que l'on connaisse ou non dans le détail ce qui s'est passé à l'été 1990, qui, en dehors de ceux qui en ont été à la fois les témoins et les victimes, se rappelle les insultes racistes des Blancs proférées à l'endroit des Autochtones ? Des gestes d'une violence inouïe portés contre cette communauté qui ne souhaitait que protéger une terre sacrée ? Tracey Deer, elle, s'en souvient."
-- Manon Dumais (source)

"C'est dans ce délicat équilibre entre franchise, sensibilité et quelque chose qu'on a envie d'appeler l'espoir que [Tracey Deer] parvient à créer un film fort, où tout sonne juste. Beans est d'ailleurs admirablement servi par ses interprètes, criants de vérité."
-- Alexandre Vigneault (source)

Bibliography for Beans

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