Réalisé par April Mullen |
Canada, 2016 (fiction, 94 minutes, couleurs, anglais) |
Autres |
Image : © Elevation Pictures |
Description du film [en anglais] : « Jasmine (Natalie Krill) is a successful fashion editor living with her fiancé, Rile (Sebastian Pigott). On a night out in the city with her best friend, she meets Dallas (Erika Linder), a roofer recently out of a relationship. Jasmine is taken by surprise when Dallas confidently hits on her; she turns Dallas down, but can't get her out of her head. Dallas continues her cool, self-assured advances. In a matter of days, Jasmine succumbs and the two women embark on a steamy affair. It feels like a fantasy world compared to Jasmine's life and plans with Rile, but soon reality rears its head, and she will have to face the profound changes their sudden romance has wrought in her. Stephanie Fabrizi's screenplay powerfully and honestly explores what happens when two women fall hard for each other, and Mullen brings the story to the screen with uninhibited flair and assurance, showing us how love can arise from some of the messiest times in our lives. Below Her Mouth is a rarity in more than one way: it's a fiction film shot with an entirely female crew, and it's an uncommonly frank look at the all-encompassing nature of attraction—the good, the bad, the ugly, and the transcendendent. » -- Magali Simard (source) |
Générique (partiel) : | |
Scénario : | Stephanie Fabrizi |
Produit par : | Melissa Coghlan |
Interprètes principaux : | Natalie Krill, Melanie Leishman, Erika Linder, Mayko Nguyen, Sebastian Pigott, Andrea Stefancikova |
Images : | Maya Bankovic |
Montage images : | Michelle Szemberg |
Musique : | Noia |
Société de production : | Serendipity Point Films |
« [In Below Her Mouth] it's emotional. It was never just sex for sex, it was how to achieve this emotional beat with the movement of their bodies. We didn't want to zoom in on just body parts grinding together. That's not what I would be turned on by as a woman. Zooming in on grinding body parts, without the context of eyes, would be outside of the female gaze. »
-- Stephanie Fabrizi
(source)
« The ambient yet groove-laden score by Noia acts like a third character, lushly sweeping through scenes while lending them a thrilling momentum. As the layers of Jasmine's sexuality move closer together—and then threaten to fly apart—desire turns into suspense. In Below Her Mouth, the title can be read as a sexual allusion. But it also signals the futility of trying to hide our innate desires, let alone behind something as flimsy as words. »
-- Christopher Kompanek
(source)