Réalisé par Kelly Fyffe-Marshall |
Canada / Jamaïque, 2022 (fiction, 87 minutes, couleurs, anglais) |
Image : © Photon Films |
Description du film [en anglais] : « [Kelly] Fyffe-Marshall's much-anticipated debut feature, When Morning Comes, is in a more realistic vein [than her 2020 short Black Bodies], potentially sparking favourable comparisons to Euzhan Palcy's 1983 classic Sugar Cane Alley. But the vitality, psychological nuance, and the sense of a new voice are as present here as in her celebrated short. Maybe more so. Jamal (Djamari Roberts), a young boy in Jamaica, has just been suspended from elementary school following an altercation. His widowed mother, Neesha (Shaquana Wilson) is so incensed she can't hear Jamal's protestations of innocence. She's afraid this may become a habit. Convinced that her mother, who lives in Canada, may be able to provide more opportunities for a rambunctious, strong-willed kid like Jamal, she hatches a life-changing plan. Terrified by this, Jamal runs off, spending the next few days living with his best friend, Deshane (Jarden Crooks), the girl he's crushing on, and substitute father figures, while also visiting the grave of his beloved father. His adventures seem bucolic, but percolating underneath is a rueful awareness that even when people believe they are doing the right thing it can feel emotionally wrong. Fyffe-Marshall's gift for capturing complex, conflicting emotions is evident here. But what really stands out is the film's courage—and the filmmaker's willingness to explore painful themes no matter how daunting or heartbreaking. [...] » -- Ravi Srinivasan (source) |
Générique (partiel) : | |
Scénario : | Kelly Fyffe-Marshall |
Produit par : | Sasha Leigh Henry, Iva Golubovic, Tamar Bird, Donisha Rita Claire Prendergast, Garrett VanDusen, Kelly Fyffe-Marshall |
Interprètes principaux : | Djamari Roberts, Shaquana Wilson, Jarden Crooks, Paul Campbell, Naomi Cowan, Oliver Samuels |
Images : | Jordan Oram |
Montage images : | Nicole Sison |
Musique : | Pavle Basanovic |
Société de production : | Sunflower Studios |
« I want people to take away [from When Morning Comes] a new love for Jamaica... I want people to also think about the sacrifices that immigrants have to go through. We always think about immigrants coming here and having to start up new and start fresh. But we never think about what those moments were before when they had to make this huge decision to move. Maybe to turn their lives upside down, to move from whatever they've known, their family, to go for this better life and we never think about what that struggle and sacrifice is. »
-- Kelly Fyffe-Marshall
(source)
« [When Morning Comes depicts] the real Jamaica, outside of the stereotypes. But it's also a romanticized child's journey, because it draws from my childhood memories. »
-- Kelly Fyffe-Marshall
(source)