Directed by Amanda Forbis and Wendy Tilby |
Canada, 2022 (animation, 8 minutes, colour) |
Also known as "Le matelot volant" |
Image: © National Film Board of Canada |
Video (National Film Board of Canada)
Video (National Film Board of Canada) [French] |
Film Description: "In 1917, two ships collided in the Halifax Harbour, causing the largest accidental explosion in history. Among the tragic stories of the disaster is the remarkable account of a sailor who, blown skyward from the docks, flew a distance of two kilometres before landing uphill, naked and unharmed. The Flying Sailor is a contemplation of his journey. Drawing on reports of traumatic shock and near-death experiences, animators Wendy Tilby and Amanda Forbis consider the kind of cataclysmic moment that pulls us from our path, strips us bare and utterly shifts our perspective. By suspending the Sailor in a state of near-death, the film contemplates the stuff of life that is at once fleeting, profound and utterly insignificant.[...] Employing a wealth of techniques (3D, 2D, live action, and photographs), along with a bold mix of comedy, suspense, philosophy and playful abstraction, The Flying Sailor is an exhilarating meditation on a few seconds of a life, and a celebration of the wonder and fragility of being." -- National Film Board of Canada (source) |
Film Credits (partial): | |
Written by: | Amanda Forbis, Wendy Tilby |
Produced by: | David Christensen |
Animation: | William J. Dyer, Anna Bron |
Film Editing: | Chelsea Body |
Music: | Luigi Allemano |
Production Company: | National Film Board of Canada / Office national du film du Canada |
"[Wendy Tilby and I] happened to be in Halifax more than 20 years ago and went to the Maritime Museum of the Atlantic, where there was a display about the explosion and this tiny paragraph about a sailor who was sent two kilometres in the air by the explosion, landing without his clothes. We were both struck by that, and wondered what the trip would look like. For one reason or another, we had to put it aside for a long time, but it stuck there."
-- Amanda Forbis
(source)
"Production on [The Flying Sailor] overlapped with the pandemic, which was obviously a terrible thing for everyone but beneficial for animation projects, because being cloistered indoors is conducive to getting work done. Animation is a very labour-intensive thing, and because we work experimentally, we need the time for trial and error."
-- Wendy Tilby
(source)