Quote:
"The mode [of Ley Lines] is rather difficult to describe: a self-reflexive, experimental documentary that is part autobiography, part biography, part social history, part natural history, and more. And, as these names imply, it is concerned with the past, or, more precisely, the confluence of pasts that compose various presents."
-- Susan Lord

Source:
Lord, Susan. "The Scene of the Crime: Genealogies of Absence in the Films of Patricia Gruben." In Gendering the Nation: Canadian Women's Cinema, edited by Kay Armatage, Kass Banning, Brenda Longfellow, and Janine Marchessault. Toronto: University of Toronto Press, 1999. (p. 157)