"[Women Are Warriors] represents an excellent example of the creative application of the compilation model in NFB films. The film brings together huge pre-edited chunks of British and Soviet footage with practically no NFB-produced material. Marsh's editing approach and her ability to incorporate a multitude of distinct newsreel footage was instinctual with a powerful artistic and political force."
-- Malek Khouri
Khouri, Malek. Filming Politics: Communism and the Portrayal of the Working Class at the National Film Board of Canada, 1939-46. Calgary: University of Calgary Press, 2007. (p. 181)