"The difference between the original script prepared by Marsh and the final version of the film [Women Are Warriors] was quite vast. Comparing the two versions illustrates that some NFB filmmakers were insistent on pushing the envelope even further with their class-based analysis, and that by the end they would settle for solutions that accepted the limitations associated with working within a government agency."
-- Malek Khouri
Khouri, Malek. Filming Politics: Communism and the Portrayal of the Working Class at the National Film Board of Canada, 1939-46. Calgary: University of Calgary Press, 2007. (pp. 102-103)