"To a hermetic art scene that was characterized by a 'subjectless' attention to the materiality of the medium -- sprocket holes, zoom lenses, static shots, duration, and time -- [Joyce] Wieland brought irreverence, painterly intensity, humour, and politics."
-- Kay Armatage
Armatage, Kay. "Fluidity: Joyce Wieland's Political Cinema." In The Gendered Screen: Canadian Women Filmmakers, edited by Brenda Austin-Smith and George Melnyk. Waterloo, Ont.: Wilfrid Laurier University Press, 2010. (p. 101)