Citation :
« To a hermetic art scene that was characterized by a 'subjectless' attention to the materiality of the medium—sprocket holes, zoom lenses, static shots, duration, and time—[Joyce] Wieland brought irreverence, painterly intensity, humour, and politics. »
-- Kay Armatage

Source :
ARMATAGE, Kay. « Fluidity: Joyce Wieland's Political Cinema » , dans The Gendered Screen: Canadian Women Filmmakers, sous la direction de Brenda Austin-Smith et George Melnyk, Waterloo, Ont., Wilfrid Laurier University Press, 2010. [en anglais] (p. 101)