Citation :
« Similar to her earlier works, [in Solidarity] [Joyce] Wieland selects a series of details seen isolated from any depth-of-field and seen so closely that colours, textures and shapes become interesting features in and of themselves. [...] The often shaky hand-held camera offers an identifiable subjective point of view of someone in the crowd, the filmmaker, watching people's feet. »
-- Lauren Rabinovitz

Source :
RABINOVITZ, Lauren. « The Development of Feminist Strategies in the Experimental Films of Joyce Wieland » , ["[Originally published in] Film Reader 5 (1982): 132-140."] dans The Films of Joyce Wieland, sous la direction de Kathryn Elder, Toronto, Toronto International Film Festival Group, 1999. [en anglais] (p. 114)