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Citation :
« What most critics failed to appreciate [...] are the intricacies of White Room's experiments with narrative structure. Although the plot revolves around Norman's affair with a reclusive artist named Jane (Kate Nelligan) who is the voice behind a murdered pop singer named Madeleine X, White Room's deeper subject matter has to do with the epistemological status of fiction. »
-- Lee Parpart
Source :
PARPART, Lee. « Political Alignments and the Lure of 'More Existential Questions' in the Films of Patricia Rozema »
,
dans North of Everything: English-Canadian Cinema Since 1980, sous la direction de William Beard et Jerry White, Edmonton, University of Alberta Press, 2002.
[en anglais] (p. 295)