Citation :
« The authorial signature of [Léa] Pool, a Swiss émigré to Quebec, is marked strongly by the influence of European art cinema and bears a level of textual and symbolic abstraction that, in many ways, runs completely against the grain of the history of Quebec cinema. »
-- Brenda Longfellow

Source :
LONGFELLOW, Brenda. « Gender, Landscape, and Colonial Allegories in The Far Shore, Loyalties, and Mouvements du désir » , dans Gendering the Nation: Canadian Women's Cinema, sous la direction de Kay Armatage, Kass Banning, Brenda Longfellow et Janine Marchessault, Toronto, University of Toronto Press, 1999. [en anglais] (p. 176)