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Citation :
« The extension of experimental interest to alternative forms of narrative, particularly in its association with particular feminist projects (the so-called New Narrative), is illustrated in the work of Vancouver's Patricia Gruben (Sifted Evidence, 1982 and Low Visibility, 1984), and in a different way in Kay Armatage's Storytelling (1983), in which the interlacing of seven storytelling performances reveals constants of story form to which she refuses narrative closure. »
-- David Clandfield
Source :
CLANDFIELD, David. Canadian Film, Toronto, Oxford University Press, 1987.
[en anglais] (pp. 127-128)