Film Description:
"There were two initial impulses for the film: Turner's almost-not-there paintings of light (whence the bracketed title 'sun vision') and the swirling, spirit-filled paintings of Emily Carr. [...] Untitled #1 is a film of liminal thresholds, borders, amorphous states—sky, clouds, fog, lake, snow. A film in motion—camera gestures and emulsion activity. People and seasons pass in the daily repetitive cycles—repetitions and reprises and beginnings again—sameness amidst the fleeting. Blurring, merging, dissolving boundaries,— the world as it is forming and disappearing... Not nothing, everything. [...]"
-- Canadian Filmmakers Distribution Centre
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