Réalisé par Patricia Rozema |
Canada, 2018 (fiction, 91 minutes, couleurs, anglais) |
Image : © levelFILM |
Description du film [en anglais] : « Patricia Rozema [...] adapts the award-winning two-woman play by Amy Nostbakken and Norah Sadava, about an aspiring writer attempting to reconcile her feminism with the conformist choices of her mother following her mother's sudden death. [...] Rozema knots together the thematic threads of her past work—feminist consciousness, the struggle for self-expression—into one of her most vibrant films to date. [...] In the aftermath of her mother's sudden death, aspiring writer Cassandra struggles to compose a eulogy. She self-identifies as the black sheep of the family, standing in brazen opposition to her mother's embodiment of feminine grace. In Cassandra's eyes, to be a 'nurturing mother' and a 'classy woman' is to be a vessel for self-sacrifice and she roils over her mother's failed career and incessant need for approval from others. Cassandra is only able to connect with her mother when she realizes that her own rebelliousness is as much a response to the male gaze as her mother's conformity. [...] » -- Danis Goulet (source) |
Générique (partiel) : | |
Scénario : | Patricia Rozema, Norah Sadava, Amy Nostbakken |
Produit par : | Patricia Rozema, Jennifer Shin, Christina Piovesan, Alex Brisbourne, Angela Brisbourne, Martha McCain, Martha Ramsay, Kathleen Ramsay, Maria Martin Stanley |
Interprètes principaux : | Norah Sadava, Amy Nostbakken, Maev Beaty |
Images : | Catherine Lutes |
Montage images : | Lara Johnston |
Musique : | Amy Nostbakken |
Société de production : | Mouthpiece (FGM) Films, First Generation Films, Crucial Things |
« 'Grief manifests itself in unexpected ways,' muses an extraordinarily understanding mortician in Patricia Rozema's Mouthpiece, as a grieving client climbs into a cedar casket. But the most unexpected way grief manifests itself in the film is that the bereaved heroine is played by two actresses, Amy Nostbakken and Norah Sadava, who aren't entirely in sync about the best way forward. Based on Nostbakken and Sadava's stage play, this metaphysical two-hander about a young woman's struggle to write a eulogy for her mother roils in guilt, resentment, sadness, and thorny notions of feminine identity. The conceit isn't a natural for the screen, despite [Patricia] Rozema's attempts to give a strong visual dimension, but it's a thoughtful interrogation of modern womanhood, leavened by gallows humor. »
-- Scott Tobias
(source)