Description du film [en anglais] :
« With the exception of our companion animals and the wild and stray species within our urban environments, we experience animals daily only as the food, clothing, animal tested goods and entertainment we make of them. This moral dilemma is largely hidden from our view. The Ghosts In Our Machine illuminates the lives of individual animals living within and rescued from the machine of our modern world. Through the heart and photographic lens of animal rights photojournalist Jo-Anne McArthur, audiences become intimately familiar with a cast of non-human animals. From undercover investigations to joyful rescue missions, in North America and in Europe, each photograph and story is a window into global animal industries: Food, Fashion, Entertainment and Research. The Ghosts In Our Machine charts McArthur's efforts to bring wider attention to a topic that most of humankind strives hard to avoid. Are non-human animals property to be owned and used, or are they sentient beings deserving of rights? »
-- Ghosts Media
(source)
Description du film [en anglais] :
« Award-winning photographer and activist Jo-Anne McArthur has been travelling the world for over ten years to document the mistreatment and suffering of animals at the hands of western industry. Ghosts In Our Machine joins the impassioned McArthur on covert missions: to factory farms in the dark of night where animals raised for fur or food are kept in appalling conditions, and to an almost utopian sanctuary for rescued animals. Her goal is to demonstrate the sentience of non-human animals; her deep connection with these animals is palpable in her photography. She takes these photographs in order to bear witness; her stunning portraits of the animals—foxes, cows, pigs, chickens—capture their unique personalities, quirks and intelligence, and make a compelling argument on their behalf. Poetic and engaging, this powerful film will spark important conversations about the relationships between human and nonhuman animals on our shrinking planet. »
-- Lynne Fernie
(source)
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