Réalisé par Andrea Dorfman |
Canada, 2019 (fiction, 87 minutes, couleurs, anglais) |
Image : © andreadorfman.com |
Description du film [en anglais] : « After her partner breaks up with her on her 39th birthday, Gaby tackles her fears of loneliness as well as preconceptions of what it means for a woman to be single. » -- Woods Entertainment (source) |
Générique (partiel) : | |
Scénario : | Jennifer Deyell |
Produit par : | Jay Dahl, Bill Niven, Marc Tetreault, William Woods, Luke Black |
Interprètes principaux : | Chelsea Peretti, Susan Kent, Nadia Tonen, Kate Lynch, David Rossetti, Bill Carr, Jonathan Watton, Taylor Olson, Kirsten Olivia Taylor, Josh MacDonald, Marcus Simmonds, Amy Groening, Kevin Kincaid, Fabien Melanson, Eugene Sampang, Matthew Nette, Trina Corkum, Scott Bailey, Rachel Lloyd, Koumbie, Michael Cross, Oliver Boyle, Charlie Boyle, Frietzen Kenter |
Images : | Stéphanie Anne Weber Biron |
Montage images : | Simone Smith |
Musique : | Daniel Ledwell |
Société de production : | Woods Entertainment |
« [For Spinster] we lifted from experiences I went through in my 30s, and experiences people Jennifer [Deyell] and I knew went through, who were specifically single. The questions that we got asked and the discomfort that we were put through, all in the interest of this ideal that frankly isn't even for everybody, whether you want it or not. »
-- Andrea Dorfman
(source)
« [In Spinster] writer Jennifer Deyell has fun with the tropes of the [rom-com] genre, scripting one scene composed entirely of Gaby's responses to first dates. Sample famous last words: 'I guess I never really listened to Rush.' Through the course of four seasons and one day—the film spans the protagonist's 40th year—we get humour, wistfulness and a degree of personal growth, all presented far more organically than most rom-coms even try to manage. Even nicer, its set firmly in [Andrea] Dorfman's hometown of Halifax. »
-- Chris Knight
(source)
« Spinster is disarming in the way it consistently put its protagonist first, particularly in the context of a genre that often struggles to reconcile old-school romanticism with populist female empowerment. »
-- Guy Lodge
(source)
« I enjoy women in power so I wanted to be directed by Andrea [Dorfman]. When I got the offer, I watched her films and thought they looked beautiful. She has a specific vibe and style and she made me fall in love with Nova Scotia. »
-- Chelsea Peretti
(source)