Tunniit: Retracing the Lines of Inuit Tattoos

Réalisé par Alethea Arnaquq-Baril

Canada, 2011 (documentaire, 50 minutes, couleurs / noir et blanc, inuktitut)

Image : © Cinema Politica

Description du film [en anglais] :
« Tunniit: Retracing the Lines of Inuit Tattoos is a personal and political documentary from Inuit filmmaker Alethea Arnaquq-Baril [...]. For over a century, traditional Inuit face tattoos had been forbidden by the Canadian government and the art-form almost forgotten. Arnaquq-Baril, together with long-time friend and activist Aaju Peter, is determined to uncover the mystery and meaning behind this beautiful and ancient tradition. Together they embark on an adventure through Arctic communities, speaking with elders and recording the stories of a once popularized female art form practiced. Central to the film is Arnaquq-Baril's personal debate over whether or not to get tattooed herself. With candour and humour, she welcomes the viewer into her world, to experience firsthand the complex emotions that accompany her struggle. Past meets present in this intimate account of one woman's journey towards self-empowerment and cultural understanding. »
-- Cinema Politica (source)

Générique (partiel) :
Produit par :	Alethea Arnaquq-Baril, Charlotte Dewolff, John Houston

(sources)

Citation de la réalisatrice [en anglais]

« Tunniit is an intensely personal film. It is about my journey to learn about traditional Inuit women's face tattoos before getting tattooed myself. However, I think (I hope) it also speaks to a universal desire to feel part of a community. A sense of identity is a necessary foundation for life that is often taken for granted by those who have never had their identity challenged or attacked. This story takes place in the context of modern Inuit communities that are utterly confused by the staggering cultural changes wrought by the Canadian government, the Christian Church, and the reality of present day globalization. Today, evangelical Christianity is a shockingly strong force in arctic Inuit communities, causing tension around discussing anything that remotely touches on the old spiritual beliefs. The Inuit that attended residential schools, the generation that had their culture beaten out of them, and had their mouths washed out with soap when they spoke their native language—these people are hurting and confused. In some cases, the mere mention of traditional tattoos is enough to send a person into a spitting rage. In this context, the dignity and bravery of the dozens of Inuit elders who were willing to go on camera to speak about the tradition of tattooing is awe-inspiring. My personal struggle with these issues is laid out for the world to see in this film. I have felt touched and reassured to hear back from my fellow Inuit about what this film has meant to them. And though the process certainly upset and challenged my family at times, in the end we've come out stronger and closer for it. »
-- Alethea Arnaquq-Baril (source)