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Citation :
« Mehta's film [Bollywood/Hollywood] situates itself at the cusp of two or more cultures -- Hollywood and Bollywood, white and brown, local and global, Canadian and American. The film does not fully belong to one world or the other but belongs to both. [...] However, instead of signifying conditions of exile and loss as do other diasporic productions, the film suggests the vibrancy of being between worlds -- the humor, self-mockery, and self-awareness of being exotic and other to both the West and the East. »
-- Eleanor Ty


Source :
TY, Eleanor. « Feminist Subversions: Comedy and the Carnivalesque » , dans Unfastened: Globality and Asian North American Narratives, Minneapolis, University of Minnesota Press, 2010. [en anglais] (p. 86)