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« The first few days of the film were storyboarded and shot-listed, but after that, I threw it out the window. Our locations kept falling through, and I had to come up with something else on the spot. It's interesting for me when I look at the film now. Aesthetically, the structure of the movie is initially very montage-based, the camera is very static. As the film progresses, the camera work becomes looser. »
-- Lynne Stopkewich


Source :
FALSETTO, Mario. « Lynne Stopkewich » , entretien avec Lynne Stopkewich, dans Personal Visions: Conversations with Contemporary Film Directors, Los Angeles, Silman-James Press, 2000. [en anglais] (p. 488)