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« [Lynne] Stopkewich felt that Gowdy's 'We So Seldom Look on Love' was an ideal story to be realized on a low budget because of two main characters and a minimum of locations. Told in flashback, a 1970s look was required and achievable in a small town or suburb with frequent interiors. Sourcing thrift shops and garage sales, the 1970s look was cheaper to realize than a contemporary look. »
-- Kalli Paakspuu

Source :
PAAKSPUU, Kalli. « Lynne Stopkewich: Abject Sexualities » , dans Great Canadian Film Directors, sous la direction de George Melnyk, Edmonton, University of Alberta Press, 2007. [en anglais] (p. 394)