Citation :
« [Mary] Harron emphasizes the film's [American Psycho's] feminist critique through Bateman's interrelationships with women, particularly in supposedly romantic places such as restaurants, with contant closeups on his face. »
-- Karen Oughton

Source :
OUGHTON, Karen. « The Home, the Body and Otherness: Canadian Representations of Identity and Feminism in Mary Harron's American Psycho, Sarah Polley's Away from Her and the Soska Sisters' American Mary » , dans Celluloid Ceiling: Women Film Directors Breaking Through, sous la direction de Gabrielle Kelly et Cheryl Robson, Twickenham, U.K., Supernova Books, 2014. [en anglais] (p. 63)