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Citation :
« Like [Joyce Wieland's] The Far Shore, [Anne Wheeler's]
Loyalties appropriates melodramatic generic conventions to a
feminist critique, but its textual predecessors are less likely to be found
among romantic melodramas than among the darker gothic romances of
Jane Eyre or Rebecca. »
-- Brenda Longfellow
Source :
LONGFELLOW, Brenda. « Gender, Landscape, and Colonial
Allegories in The Far Shore, Loyalties, and Mouvements du désir »
,
dans Gendering the Nation: Canadian
Women's Cinema, sous la direction de Kay Armatage, Kass Banning, Brenda Longfellow et Janine Marchessault, Toronto, University of Toronto Press, 1999.
[en anglais] (p. 172)