Citation :
« Directors like Anne Claire Poirier have refined and expanded the documentary mode in a way that might satisfy its severest critics. Her Mourir à tue-tête, distributed on commercial circuits in 1979, combines an apparently realistic fictional narrative with documentary sequences, a mixture that has become an important technique of feminist film. »
-- Mary Jean Green

Source :
GREEN, Mary Jean. « Léa Pool's La femme de l'hôtel and Women's Film in Quebec », Québec Studies, vol. 9 (automne 1989). (p. 51) [en anglais]