Citation :
« In Paule Baillargeon's 1977 short, Anastasie oh ma chérie, cinematic space and language take on specifically gendered characteristics while the main action comprises a role reversal. Instead of de-robing the female character (a female Pee Wee Herman), the intruding male characters 'transform' her, dress and make her up into a proper woman—'the beauty ideal.' »
-- Kass Banning

Source :
BANNING, Kass. « 'Surfacing: Canadian Women's Cinema': Festival of Festivals surveys 70 years of herstory », Cinema Canada, no. 167, octobre 1989. (p. 13) [en anglais]