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Citation :
« The Far Shore was [...] rejected by the avant-garde community for its commitment to sentiment, genre and narrative, and it failed miserably at the box office in Canada as it was laughed off the screen by the very audience [Joyce] Wieland hoped to reach. »
-- Kay Armatage

Source :
ARMATAGE, Kay. « Joyce Wieland, Feminist Documentary, and the Body of the Work », Canadian Journal of Political and Social Theory, vol. 13, no. 1-2 (1989). (p. 93) [en anglais]