Description du film [en anglais] :
« Desperate to find a deeper connection in her marriage after the recent death of her mother, Judith (Japanese Canadian) brings her family to a self-development retreat on a remote island. But when they befriend another interracial couple who seem to have the perfect marriage, Judith begins to recognize how irreparably fractured her relationship is. Meanwhile, their two daughters are plunged into a destabilizing world under the constant stress of their parents' crumbling relationship. In the end, the family must collectively face their most unnerving insecurities before they become permanently broken. »
-- Game Theory Films
(source)
Description du film [en anglais] :
« Judith (Ally Maki) is Japanese Canadian; her husband Steve (Luke Roberts) is white. They're having some problems communicating with each other, so they've found a family retreat on the Pacific coast where kids can hang out while their parents confront one another in group-therapy sessions. But the time together exposes new fractures in the family's internal dynamic: 11-year-old Stephanie (Nyha Breitkreuz) starts acting out, while six-year-old Emmy (Remy Marthaller) insists she can feel Judith's recently departed mother watching over them all. Whether or not Emmy is right, something is certainly hanging over this family—a cloud of tension and dissatisfaction between Judith and Steve that neither can fully articulate, but both recognize. And the more time Judith spends around another couple, Carol (Sarah Gadon) and Pat (Chris Pang), the more she worries that saving her marriage might not be the best move. Drawing on personal themes through a fictional lens and also reflecting on her own racial identity, writer-director Hama-Brown [...] crafts a knotty, insightful drama about the interwoven complexities of marriage and parenthood, and the mistakes families pass on from one generation to the next. Driven by the powerful performances of Maki [...] and newcomer Breitkreuz, Seagrass announces the arrival of a perceptive new voice in Canadian cinema. »
-- Norm Wilner
(source)
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