Lynne Stopkewich (données partielles)
Films réalisés par Lynne Stopkewich
Citations de Lynne Stopkewich [en anglais]
« The funny thing about being a director is that everyone
wants you to have all the answers all of the time, but
sometimes you just don't. I tend to admit this but it
doesn't always engender confidence in your cast and
crew. [...] I always have an idea of what I want but
like to remain open to other ideas when they come up.
Then I go with my gut. »
-- Lynne Stopkewich
(source)
« You come out of film school and say, 'Oh, yes, I'm a hot-shot, and I'm
going to do this film.' Then you realize what it takes to get a film off the
ground, and get it made. [...] If I have any advice for first-time filmmakers, it
would be to get really involved with the editing of their films. To see what
they did right, and what they did wrong on the set. »
-- Lynne Stopkewich
(source)
Citation sur Lynne Stopkewich [en anglais]
« [Lynne] Stopkewich's relationship to feminism has been a complex one, involving shifting allegiances and priorities, difficult negotiations within the frankly patriarchal world of commercial feature filmmaking, and a carefully cultivated sense of ambiguity around cultural norms and definitions of femininity. »
-- Lee Parpart
(source)
Pour lire les CITATIONS sur un film spécifique de Lynne Stopkewich, veuillez voir : Kissed
Suspicious River
Notes sur Lynne Stopkewich
- Détient deux diplômes en études cinématographiques, soit un baccalauréat en arts plastiques (BFA) de l'Université Concordia et une maîtrise en arts plastiques (MFA) de l'Université de Colombie-Britannique.
Notes disponibles seulement en anglais :
- Began working as a production designer while in graduate school, on films
such as John Pozer's The Grocer's Wife.
(sources)
Bibliographie sur
Lynne
Stopkewich
Section 1 : Publications sur Lynne Stopkewich
Chapitres de livres
-
FALSETTO, Mario. « Lynne Stopkewich »
, entretien avec Lynne Stopkewich,
dans Personal Visions:
Conversations with Contemporary Film Directors, Los Angeles, Silman-James Press, 2000, pp. 481-502.
[en anglais]
-
PAAKSPUU, Kalli. « Lynne Stopkewich: Abject Sexualities »
,
dans Great Canadian Film Directors, sous la direction de George Melnyk, Edmonton, University of Alberta Press, 2007, pp. 385-403.
[en anglais]
-
PAAKSPUU, Kalli. « I Like Telling Stories That Are Off the Beaten Track »
, entretien avec Lynne Stopkewich,
dans The Young, the
Restless, and the Dead: Interviews with Canadian Filmmakers, sous la direction de George Melnyk, Waterloo, Ont., Wilfrid Laurier University Press, 2008, pp. 73-82.
[en anglais]
-
PARPART, Lee. « Feminist Ambiguity in the Film Adaptations of Lynne Stopkewich »
,
dans The Gendered Screen: Canadian Women Filmmakers, sous la direction de Brenda Austin-Smith et George Melnyk, Waterloo, Ont., Wilfrid Laurier University Press, 2010, pp. 43-66.
[en anglais]
Section 2 : Publications sur les films de Lynne Stopkewich
Chapitres de livres
-
BURGESS, Diane. « Kissed (1996) »
,
dans World Film Locations: Vancouver, sous la direction de Rachel Walls, Bristol, Intellect Books, 2013, pp. 58-59.
[en anglais]
Brèves parties de livres
-
MELNYK, George. One Hundred Years of Canadian
Cinema, Toronto, University of Toronto Press, 2004.
[en anglais] (pp. 218-219)
-
MONK, Katherine. Weird Sex and Snowshoes: And Other Canadian Film Phenomena, Vancouver, Raincoast Books, 2001.
[en anglais] (p. 307)
-
PARPART, Lee. « Cowards, Bullies, and Cadavers: Feminist Re-Mappings of the Passive Male Body in English-Canadian and Québécois Cinema »
,
dans Gendering the Nation: Canadian
Women's Cinema, sous la direction de Kay Armatage, Kass Banning, Brenda Longfellow et Janine Marchessault, Toronto, University of Toronto Press, 1999.
[en anglais] (pp. 259-268)
Thèses
-
ŠAšINKOVÁ, Soňa. The Films That Made It: Independent Canadian Women Filmmakers and the Recipe for Success, 2011. Thèse de maîtrise, Masaryk University.
[en anglais]
Brèves parties de livres
-
MONK, Katherine. Weird Sex and Snowshoes: And Other Canadian Film Phenomena, Vancouver, Raincoast Books, 2001.
[en anglais] (pp. 338-339)
Fonds et collections d'archives
Ces centres d'archives conservent des fonds ou collections liés à Lynne Stopkewich ou à ses films :
