Quote:
"[Lynne] Stopkewich felt that Gowdy's 'We So Seldom Look on Love' was an ideal story to be realized on a low budget because of two main characters and a minimum of locations. Told in flashback, a 1970s look was required and achievable in a small town or suburb with frequent interiors. Sourcing thrift shops and garage sales, the 1970s look was cheaper to realize than a contemporary look."
-- Kalli Paakspuu

Source:
Paakspuu, Kalli. "Lynne Stopkewich: Abject Sexualities." In Great Canadian Film Directors, edited by George Melnyk. Edmonton: University of Alberta Press, 2007. (p. 394)