Quote:
"Directors like Anne Claire Poirier have refined and expanded the documentary mode in a way that might satisfy its severest critics. Her Mourir à tue-tête, distributed on commercial circuits in 1979, combines an apparently realistic fictional narrative with documentary sequences, a mixture that has become an important technique of feminist film."
-- Mary Jean Green

Source:
Green, Mary Jean. "Léa Pool's La femme de l'hôtel and Women's Film in Quebec." Québec Studies 9 (Autumn 1989). (p. 51)