Citation :
« What elevates the film [Mouvements du désir] from its studied conventionality [...] is the extended iconographic presentation of landscape and the use of the train, whose own relentless passage both contains and parallels the narrative movements of desire. »
-- Brenda Longfellow

Source :
LONGFELLOW, Brenda. « Gender, Landscape, and Colonial Allegories in The Far Shore, Loyalties, and Mouvements du désir » , dans Gendering the Nation: Canadian Women's Cinema, sous la direction de Kay Armatage, Kass Banning, Brenda Longfellow et Janine Marchessault, Toronto, University of Toronto Press, 1999. [en anglais] (p. 179)